Fine Art
My Work and Process
I often used photos for reference in my earlier work I made sketches, did color studies, and planned the process step by step. I believe it gave me a sense of security and control in the outcome of my work, but sometimes left me unsatisfied. After some wonderful advice from my valued mentor and friend, Claire Benn, I began an investigation into monotype which has changed the way I approach my work.
I begin by laying down thickened dyes or paints onto a surface, sometime plastic or the surface of my melamine work table. Using brushes and others scraping tools I create patterns, scribe lines, and manipulate the wet media.
I often used photos for reference in my earlier work I made sketches, did color studies, and planned the process step by step. I believe it gave me a sense of security and control in the outcome of my work, but sometimes left me unsatisfied. After some wonderful advice from my valued mentor and friend, Claire Benn, I began an investigation into monotype which has changed the way I approach my work.
I begin by laying down thickened dyes or paints onto a surface, sometime plastic or the surface of my melamine work table. Using brushes and others scraping tools I create patterns, scribe lines, and manipulate the wet media.
Then I lay down prepared fabric to soak up the media; when lifted off the table surface the fabric retains the intricate textures and designs that were scribed upon the print surface.
